The creation of films that showcase authentic human experiences often leads to powerful storytelling. “It Was Them,” produced by Edgar Morais and Luke Eberl, is poised to be one such documentary, shedding light on the nuanced lives of four Indigenous-Latino musicians navigating the complexities of cultural identity in foreign terrains. With Larry Clark, the legendary filmmaker known for his frank examinations of youth culture, attached as an executive producer, the film aims to present a compelling portrait that resonates with audiences by intertwining themes of struggle, resilience, and the universal language of music.
“It Was Them” delves into the lives of Jonathan Velasquez, Eddie Velasquez, Frank Navarrette, and Carlos Ramirez, who hail from South Central L.A. The documentary chronicles not just their artistic aspirations but also their personal challenges as they transition into life in Paris. The journey encapsulates more than just geographic relocation; it reflects the cultural dislocation faced by many immigrants. The film’s unique perspective, presented over a decade and enriched with an original soundtrack composed and performed by the subjects themselves, promises an immersive experience that goes beyond the superficialities of distance.
Morais and Eberl, already known for their previous collaborative work, bring a wealth of creativity and narrative vision to the project. Their award-winning short film, “We Won’t Forget,” demonstrates their knack for exploring emotional thresholds, setting a high expectation for “It Was Them.” The documentary’s ambitious production design and the involvement of a diverse team are indicative of its potential to reach audiences on a global scale. Co-production efforts involving Portuguese and German entities expand the film’s essence, allowing for a rich blend of cultural influences that can enhance its storytelling.
The creative team behind “It Was Them” features an intricate network of skilled individuals, including accomplished producers such as Sol Tryon and Rodrigo Areias. Their prior accolades reflect a commitment to quality filmmaking, and their involvement suggests a carefully crafted narrative will unfold. The inclusion of established names in the documentary scene reinforces the credibility of “It Was Them” as a serious contender in arts and cultural discourse.
Larry Clark’s footprint in the realm of cinema is marked by his unyielding focus on youth’s raw realities, beginning with the provocative photography of “Tulsa” and the iconic film “Kids.” His capacity to portray disaffected youth has made him a key figure in discussions around adolescent culture and the impacts of substance abuse. His executive role in “It Was Them” not only lends credibility but also suggests that the documentary will encapsulate his signature style—balancing artistic expression with sociocultural observations.
Music plays a pivotal role in this documentary, functioning as both a narrative device and an expression of cultural identity. As the four protagonists create an original soundtrack, they transcend the position of mere subjects; they become storytellers of their own lives. The interplay between music and narrative offers a platform for discussing broader themes such as assimilation, heritage, and the search for belonging, especially in a city as culturally rich and diverse as Paris.
As “It Was Them” continues through production, the anticipation grows for what promises to be a profound exploration of identity, friendship, and the indomitable spirit of artists fighting for their place in the world. The collaborative efforts of Morais, Eberl, and Clark offer a dynamic foundation for a film that aims not just to inform but to engage emotionally with its audience. For those interested in the intersections of music, culture, and personal journeys, “It Was Them” is shaping up to be a significant contribution to the landscape of documentary filmmaking, reminding viewers of the boundless power of stories that highlight both the trials and triumphs of the human experience.
